Gothic Narratives
Clithero's story in Edgar Huntly
"For what purpose have I come hither? Is it
to relate my story?" (669) --Clithero, Edgar Huntly
Clithero's narrative, which comprises chapters four through eight of Edgar Huntly,
provides the backstory which gives the reader insight into Clithero's
character. We learn about Clithero's life as a servant who flip-flops
from serendipitous fortune to complete emotional destruction.
Certainly this story provides a primarily explanatory function, but enough
motivation is provided to read into the story that its correct
classification is as a low to middle-level dramaturgical relationship.
Edgar takes interest in Clithero as a result of this moment of narrative
"sharing" and the story subsequently is not quite directly motivated by
this episode, however the general sense evoked by the inner narrative
changes the plotline.
After Clithero finishes, Edgar becomes the reader who has just heard a story
whose validity is surely in question:
But I did not consider this tale merely in
relation to myself. My life had been limited and uniform. I had communed
with romancers and historians, but the impression made upon me by this
incident was unexampled in my experience. My reading had furnished me
with no instance, in any degree, parallel to this, and I found that to be
a distant and second-hand spectator of events was widely different from
witnessing them myself. My judgement was, for a time, sunk into
imbecility and confusion. My mind was full of the images unavoidably
suggested by this tale, but this existed in a kind of chaos, and not
otherwise, than gradually, was I able to reduce them to distinct
particulars, and subject them to a deliberate and methodical
inspection. (718)
Edgar's search for truth in Clithero's tale, he comes to realize, comes to
a standstill when he finds himself unable to associate this fantastic tale
into a life which had been "limited and uniform" up to this point. To
read it this way, the only sorts of tales that could have the same effect
on their reader are those which fall outside the sphere of the ordinary.
In her essay "Edgar Huntly and the Novel's Reproductive Disorders,"
Dana Luciano writes:
In the section of the
novel that precedes his fall into the cave-pit, Edgar listens to the life
stories of both Clithero and Weymouth. While Edgar tries to play the
rational reader by focusing on the "truth" these stories convey - he
remarks upon the proofs of Clithero's innocence and the validity of
Weymouth's claims on Mary Waldegrave's fortune - the stories themselves
nevertheless manage to leak into him, producing an experiential
identificationwith the storytellers that takes place despite his stated
intentions. (6)
Edgar experiences Clithero's story in a way that mimics the reader's own
absorption of Edgar Huntly. Edgar's
reaction to Clithero's narrative seems an allegory of reading a novel such
as Edgar Huntly. Indeed, Clithero's story parallels the novel not
only in its details but in the struggles that accompany its
telling...
Edgar's act of experiencing Clithero's narrative is, then, a model for the
way in which readers of Edgar Huntly should engage themselves with
the story itself. In his preface "To the Public," Charles Brockden Brown
writes, "One merit the writer may at least claim; that of calling forth
the passions and engaging the sympathy of the reader, by means hitherto
unemployed by preceding authors" (Edgar
Huntly 45). Brown tips his hand, explaining
how his book should be read in hopes that such a mindset would
help him call forth passions and engage sympathies. This brand of
experiencing as learning is central to the horrors that Edgar takes in
prematurely.
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