CSC151 2007S, Class 14: A Design Perspective: Colors Admin: * Guest speaker: Matthew Kluber, Studio Art * The exam was clearly harder than I intended. I apologize. * There is no reading for Friday! * Friday's quiz will likely focus on raster graphics and RGB colors. * Final reminder: Thursday extra tomorrow at 4:30 in 3821. * Dr. Davis and I are still discussing Friday's topic. Overview: * Approaching colors. * Managing the huge palette. * Other design issues. ==Introduction== * Color is part of your everyday experience * But most of us don't think deeply about it * Particularly since it's a key aspect of what we're discussing in class, it's useful to have a careful understanding of it. * It's useful to have a perspective on color from a visual arts perspective * Incandescent vs. luminesent light * Incandescent - Produced by heat * Luminesent - Created in other ways * Most paintings are traditionally done with paints that *absorb* light. We call this *subtractive* color. * Computers tend to deal with additive color. * Artists describe the world in terms of subtractive colors. * Sam wonders whether this will continue to be the case * Hue is the basis of a particular color: Red, Yellow, and Blue are all hues. We vary colors to get hues. (Pink, Chartreuses etc. are all hue of pink.) * Color wheel is a way to work with colors. [Sam can't type at a speed that is sufficient to keep up with Kluber.] * Our perception of color is affected by the nearby colors. * Once we understand colors, we can put them together in a color scheme. * Monochromatic: One color (with variations of saturation and value) * Different colors can give different approaches * Some colors are warm * Some colors are cool * Cool colors tend to recede. * Color discord: The opposite of color harmony. Things that are far apart on the color wheel: A primary and a far-away tertiary. * Issues to think about in design: * Color, Value, Texture, Shape/Volume, Rhythm, Balance, Scale/Proportion, Line, Emphasis, Unity/Variety * Geometric forms in different cultures * Availability of pigments in different areas have had an effect on the palettes people use. * What narratives do we construct from images * Idea as students think about projects: You may want to do different things (but related) at other parts of the image